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It’s kind of a brother thing.

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pandalot:

You are good at something, stop lying to yourself. You’re good at breaking down comic book plots, cooking ramen perfectly, making your friends happy, knowing the time without looking at a clock, getting the perfect ending at RPG’s, or figuring out the twist ending to movies. Don’t let society tell you your talents are meaningless because they don’t serve an economical purpose. Your talents reflect your interests and passions, and what’s important to you is important.

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soloduo:

ive had this idea in my head for a while now.

excuse me while i go die now from frustation of color nyuk nyuk

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jaclcfrost:

do you know how nice it is when someone asks you questions about something you like and are interested in and you get to talk about the thing and they seem genuinely interested in what you have to say about the thing

it’s very nice

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Liz’s Favourite Marvel Characters - Kurt Wagner / Nightcrawler

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pinstripesuit:

wizzard890:

andreasmroberts:

Nicola Samori (b. 1977). Italian.

Neo-Baroque??

Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones.

Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before. 

He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves.

Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists.

(Long story short, here’s his website, go check it out!)

reblogging these again because yes